top of page
Image by Klim Musalimov

Fragmentation & Identity

Fragmented self.png

Fragmentation & Identity

​What leads us to fragmentation?

​

There are moments when the roles, relationships and stories through which we recognise ourselves no longer fit together.

 

What happens when parts of our experience cannot find a place within the identity we are expected to maintain?

​

This catacomb explores how literature and horror give form to divided selves, interrupted lives and experiences that resist a coherent telling.

Inside This Catacomb

Doubles, fractured narratives and haunted characters offer different ways of approaching fragmentation. Sometimes they reveal a tension between who a person is and who they are permitted to become. Sometimes they give presence to what has been lost, silenced or excluded.

​

Here, grief is one thread through these questions: what happens to our sense of self when we lose a relationship, a role, a place or an imagined future? What remains of those former selves, and how do stories make room for them?

​

We also attend to how a work is constructed. A fragmented narrative may invite competing perspectives or unsettle our expectations without representing a damaged self. Each reading asks what fragmentation means within that particular work.

 

​Questions We Explore

  • What happens when belonging requires us to leave parts of ourselves unspoken?

  • How do motherhood, care and social expectations shape the identities available to us?

  • What do doubles and ghosts reveal about the relationship between our present and former selves?

  • When does a story seek coherence, and when does it ask us to live with contradiction?

​

​​

photo_6019593212093649007_x.jpg

Begin with Mary Winchester

The Misunderstood Role of Mary Winchester as a Fragmented Self: Identity, Motherhood and Death

Published in Women in Supernatural: Critical Essays — McFarland, 2026.

​

My essay approaches Mary Winchester through the tensions between identity, motherhood and death. It offers a starting point for exploring how a character’s different roles and the perspectives through which we encounter her, shape our understanding of her.

​

​

​​

​

​

Image by Klim Musalimov

© 2025 ALICE IN GOTHIC LAND

bottom of page