

Stories & Symbolic Language

Stories & Symbolic Language
​How do stories help us think what ordinary language cannot?
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Sometimes we encounter an image, a character or a scene that gives form to something we recognise but have not been able to express.
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What becomes possible when an experience enters a story? What can we approach through an image that remains difficult to explain directly?
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This catacomb explores how literature, horror, dreams and myth offer symbolic languages for thinking about experiences that resist simple explanation.
Inside This Catacomb
A house can hold a family’s history. A double can unsettle a character’s sense of self. A ghost can make absence present. We explore how such images acquire meaning within a particular work, and what happens when readers bring their own experiences into conversation with them.
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Symbols do not have to resolve into a single explanation. Their ambiguities can allow us to hold conflicting feelings, revisit an interpretation or recognise something for which we are still finding words.
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Jungian thought offers one way of approaching these encounters. We consider archetypal images alongside narrative form, cultural context and other readings, asking what each perspective illuminates and what it leaves out.
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Grief runs through this investigation as an experience that can unsettle language: what do we call a loss that others cannot see? How do we speak about what has ended but remains part of us?
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Stories can also restrict what we are able to imagine. We ask when familiar narratives make room for experience and when they require it to follow an accepted script.
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​Questions We Explore
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What can an image or a story express that a direct explanation leaves unresolved?
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How do personal experience and cultural context shape our interpretations?
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When does a symbolic reading open possibilities, and when does it impose a meaning?
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How do inherited stories influence what we believe we can feel, say or become?
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Reading as Conversation
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My approach begins with a work, an image, a fragment or an uncomfortable question.
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We attend to what is there, explore possible meanings and return to the work to examine what supports, or challenges, our interpretations.
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“Think about who you are. Question what you inherit” guides this conversation: an invitation to question inherited explanations and our own readings, while leaving room for what we do not yet understand.
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Related Research
Mirall trencat: An Essay in Development.
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I am revisiting and developing the research behind my presentation on Mercè Rodoreda’s Mirall trencat at FOGO.
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Through a Gothic-Jungian reading of the novel’s house, garden and water, this essay explores how literary imagery brings questions of loss, memory and containment into view.
Currently being revised.
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